2014年8月21日星期四

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9A0-082Exam Code: 9A0-082
Exam Name: Adobe. Flex 3 with AIR
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9A0-068Exam Code: 9A0-068
Exam Name: After Effects CS3 ACE EXAM
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NO.1 You have an image sequence in a layer. Every image in the sequence has duration of five frames. You
want a smooth transition between the images. Frame blending is checked in the Timeline. How can you
quickly obtain and preview Frame Blending mode for those images?
A.Choose the Time Stretch option for the current layer.
B.Choose Time Remapping to alter the speed of the sequence.
C.Apply the Timewarp effect, and choose the Pixel Motion Method.
D.Choose the Frame Mix mode from the Frame Blending option.
Answer:D

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NO.2 You create a block of paragraph text in the Composition panel. The text lines are too close together.
Which text property should you adjust to decrease the vertical space between the text lines?
A.Vertical scale
B.Tracking
C.Leading
D.Kerning
Answer:C

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NO.3 You animate the first two keyframes of a swaying pendulum. You want to duplicate these keyframes.
What should you do?
A.Select both keyframes and hold the CTRL(Windows) or COMMAND(Mac) key while dragging.
B.Select both keyframes and hold the ALT(Windows) or OPTION(Mac) key while dragging.
C.Select the layer and copy and paste by moving the CTI to the location where you want to paste it.
D.Select the first two keyframes, move the CTI to where you want the first selected keyframe to be pasted,
and then copy and paste the keyframe.
Answer:D

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NO.4 You create an animation of a car chasing another car around a circular track. However, the speed of
the animation changes abruptly on frames with a keyframe. What should you do?
A.Click the keyframe in the Composition panel with the Convert Vertex tool.
B.Change the keyframe interpolation in the Timeline panel to Continuous Bezier.
C.Select the keyframes in the Timeline panel and click Convert selected keyframes to Linear in the Graph
Editor.
D.Select the keyframes in the Timeline panel and click Convert selected keyframes to Hold in the Graph
Editor.
Answer:B

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NO.5 You want to convert PAL footage to the NTSC standard to use in future projects and compositions. What
should you do?
A.Choose Lower Field First for Field Rendering and WSSWW for the 3:2 pull-down menu.
B.Drag the footage from the Project panel to the Render Queue and choose Microsoft DV NTSC for
Output Module.
C.Change the frame rate of the footage to 29.97 fps.
D.Select the footage in the Timeline panel and choose the Frame Blending Option.
Answer:A

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NO.6 You are working on a shot in a layer, showing a car approaching a fixed camera. The car is coming
straight toward the camera. At the end of the shot, the car stops, filling the screen with the front profile of
the car and showing the car logo in the center of the frame. You want to substitute the circular logo on the
front of the car with a graphic on another layer. What should you do?
A.Set Parallel Corner Pin track points at the beginning of the shot, and click Analyze Forward.
B.Set Perspective Corner Pin track points at the beginning of the shot, and click Analyze Forward.
C.Set Position and Scale track points for the logo at the end of the shot, and click Analyze Backward.
D.Set Rotation and Scale track points for the logo at the end of the shot, and click Analyze Backward.
Answer:C

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NO.7 You import an image of grayscale clouds and add it to a composition. You want to use the highlights in
the image to reveal the content immediately beneath the image and the shadows in the image to conceal
the content beneath the image. What should you do?
A.On the layer immediately below the clouds layer, select Luma Inverted Matte from the Modes column of
the Timeline panel.
B.On the layer immediately below the clouds layer, select Luma Matte from the Modes column of the
Timeline panel.
C.On the clouds layer, select Luma Inverted Matte from the Modes column of the Timeline panel.
D.On the clouds layer, select Luma Matte from the Modes column of the Timeline panel.
Answer:B

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NO.8 Click the Exhibit button You have three layers in a composition. You place them at different distances
from the camera. You want the farthest layer to look blurred, as shown in the Exhibit. What should you do
in the Camera Settings dialog box?
A.Set the Focal Length lower than zoom.
B.Set the Blur Level value to 100 percent.
C.Select Enable Depth of Field.
D.Choose 80mm camera from the Preset menu.
Answer:C

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